This research attempts to probe - with the way of experimentation & application - the reality of quantitative and temporal nasal mini- voice in the Quranic performance, which considered essential attribute for some phonetics or voices. In the Arabic language like (Meem ) and (Noon) and other letters like them, and the way which has been used by the Arabs to perform voices of their language, when they had resorted to the prolongation of nasal mini- voices time in the letters of( Noon) & (Meem) and letters of the same kind ,when they preceding other letters in Arabic language, like which have been known by the reciters and people of performance, after that with provisions of consonants Meem and Noon nunnation like obligation of manifestation of mini voice of nasalization without prolongation of its time in some of these letters, or to incorporate them, when they became in vicinity of them in the performance along with accentuation this incorporated voice with anxiusness of its concealment, and to bring the mini voice of nasalization along with some these letters in the way characterized by variation in it’s quantity and time on the basis of the nearness of the other of this letter. This research has been divided into two sections theoretical section: handled of mini voice of nasalization and its place along with some letters of Arabic language and the manner of its performance, importance, orders and the types consonant Meem and Noon effect. The practical and applied section: which has treated the introduction of the holy Quran text ( sura of Yunis ) to the (Sona- Graph Model 5500 ) with the sound of few contemporary eminent reciters .... respectively on the way of slow recitation and then the mean common performance has been extracted to every pronunciation contain the mini- voice of nasalization in the verses of the holy suras to explore obviously the time value of mini-voice of nasalization and the effect that will arise on this value sooner or later - in the textual performance.

Abstract: The use of the Koran as the format has Bdiei beyond the usual talk of the Arabs (Poetry and prose), as run at a high level one, despite the diversity of meanings and themes were filled Alnhap and given special attention because of what they found from the shift in the discourse of the image to the image of silent-speaking, and job roles they help in the integration of only the verses and the fence and this integration does not give indications of specialized and pronunciation, but also creates a diversity of sites Aliarabip It is interesting to note that the Holy Quran hamzah used a lot and this is why Alnhap racing in the study of this tool. One of the most important problems first with special attention to research to know the correct ruling in the phenomenon of language to provide the name of the act after hamzah? And the statement of reasons to make the question in the Holy Quran? And which is the first question in the lead instruments or Connectives reasoning and how to do this?. Why hamzah as unique (or section)? The most prominent characteristics of the language? The importance lies in the research study that informed the Quran and that is what makes him the highest degrees of aiming at perfection, it reveals the aesthetic issues in terms of rhetoric, which uses the truth to come out of the berm. As well as a new study on the Koran, which does not carry out its vaults Fanfrd Bametzaj as eloquent in the Investigation Organization. The research aims to collect the pieces of grammatical and rhetorical views scattered in the wombs of mothers of books in order to reach the intended meanings of the question, whether real or metaphorical? As well as linking the aesthetic rhetorical grammatical accuracy of the method of question and make it a one complement each other. The Holy Quran that link aesthetic expression in the full model was cited by the Grammarians Albulagjun and in books.